Adveser wrote:
I think Rocket Ride is a fine album. IDK what the fuck the compaint about "Unia" is all about.
It was OK. The title track is fun. Especially if you drunk and with friends. And if they're ladies in the room, for the obvious sexual innuendo. Ah, anyway.
Adveser wrote:
Are metal heads really this undiverse and pissy when a band changes their sound at all? I may be the only one, but the songwriting has always trumped the stylistic interpretation thereof for me, even if it does not preclude it.
I like evolving bands. I like musicians who have big enough balls to make the music they want to make, no matter what sells best at the time, nor what the fans want. I somehow do not think Tobias had this in mind, though...
Adveser wrote:
I know I've said it before to much complaints and accusations of arrogance, but I measure a song's songwriting level by how many changes I would have to make to the song to maximize it's potential. I don't even bother if it is completely unlike anything I would do myself. There's no emotional attachment to what does not satisfy me musically. I probably wouldn't write a DM song, so I don't listen to that stuff anymore.
You'd be a fantastic Frenchman.
Adveser wrote:
What the hell is wrong with a Metal band doing Hard Rock songwriting? It worked for so many bands in so many eras, yet NOW is the time it is unacceptable?
I seriously think a lot of people have a major problem with hooks and melody sometimes, considering it a distraction from the aggressive or frustrated element they desperately need in music.
I don't think melodies are the problem. Perhaps melodic genres are considered overdone and unoriginal, these days. I'm listening to Rocket Ride while I'm typing this. There's nothing wrong
per se with it. It's just I am under the impression that I have listened to this a thousand times before.
Except for the mouth solo in Return to the Tribe. Priceless.