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PostPosted: Thu Sep 03, 2009 8:31 pm 
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The Commish
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crast wrote:
Satan's Anus wrote:
TheMetalWarrior316 wrote:
Goat wrote:
Record label nonsense, no doubt.

And then they complain about the donwnloading of the albums...

I'd like to know if there is a connection between the number of downloads and the time between recording (or: Leak date) and releasing of an album.

Do you have ANY idea how the machine works? You can't just finish an album and then release it. All kinds of things have to happen first, from setting up marketing to distro contracts to CD manufacturing, and so on. It takes time.

And labels have every right to complain about people illegally downloading. It's fucking stealing!


No it's not.

It's copyright infringement. If you're going to argue about this, use the correct terminology.

Anyway, to not create a complete shitstorm about downloading, I'll get back on the topic.

Megadeath? Megameh...

.:crast:.


Good thing we are talking about Megadeth.


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PostPosted: Thu Sep 03, 2009 10:31 pm 
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Metal King
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crast wrote:
Satan's Anus wrote:
TheMetalWarrior316 wrote:
Goat wrote:
Record label nonsense, no doubt.

And then they complain about the donwnloading of the albums...

I'd like to know if there is a connection between the number of downloads and the time between recording (or: Leak date) and releasing of an album.

Do you have ANY idea how the machine works? You can't just finish an album and then release it. All kinds of things have to happen first, from setting up marketing to distro contracts to CD manufacturing, and so on. It takes time.

And labels have every right to complain about people illegally downloading. It's fucking stealing!

No it's not.

It's copyright infringement. If you're going to argue about this, use the correct terminology.

:rolleyes:


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PostPosted: Fri Sep 04, 2009 12:06 am 
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Einherjar
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Satan's Anus wrote:
crast wrote:
Satan's Anus wrote:
TheMetalWarrior316 wrote:
Goat wrote:
Record label nonsense, no doubt.

And then they complain about the donwnloading of the albums...

I'd like to know if there is a connection between the number of downloads and the time between recording (or: Leak date) and releasing of an album.

Do you have ANY idea how the machine works? You can't just finish an album and then release it. All kinds of things have to happen first, from setting up marketing to distro contracts to CD manufacturing, and so on. It takes time.

And labels have every right to complain about people illegally downloading. It's fucking stealing!

No it's not.

It's copyright infringement. If you're going to argue about this, use the correct terminology.

:rolleyes:


lol totally have to agree with that sentiment, SA. I am a dirty DLer, but I don't make myself feel better by trying to split hairs. It's theft. =)

rio wrote:
Youthanasia is good but suggesting it's Megadeth's best makes me quiver with rage at the sheer craziness of it


:P


Haha, yeah, it's a matter of opinion. I'm not the guy who is like " omg early thrashtacular Megedeth ONLY " so I really appreciate all of their discography outside of Risk. Youthanasia and Countdown are probably some of my favorite Megadeth albums.


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PostPosted: Fri Sep 04, 2009 5:08 am 
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The Evil Dead wrote:
I enjoyed it thoroughly, and I haven't listened to Death Magnetic, and I never will, so I can't make any comparisons. I have no doubt it shits all over it, though. Megadeth is pretty good at doing that to Metallica.

It's a solid album, I'll be buying it when it's released. I did like UA quite a bit, but this is a step up.

Xinen, Mustaine's voice is the new Mustaine voice... I guess I don't know how else to explain it. It's not as good as it used to be, but it still does the trick.

And Youthanasia is an awesome album.


Thanks,his voice is better in this one than UA imho.I own and love Countdown to extinction,and now I'll definitely buy this.Holy shit have they stepped it up!THere are some really awesome and moving songs on here!The Hardest Part of Letting Go is probably my favorite,but all the others are great.Its nice to hear some good leads and solos too.I can't wait to have this in my hands.... :dio:


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PostPosted: Fri Sep 04, 2009 1:17 pm 
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The Evil Dead wrote:
Satan's Anus wrote:
crast wrote:
Satan's Anus wrote:
TheMetalWarrior316 wrote:
Goat wrote:
Record label nonsense, no doubt.

And then they complain about the donwnloading of the albums...

I'd like to know if there is a connection between the number of downloads and the time between recording (or: Leak date) and releasing of an album.

Do you have ANY idea how the machine works? You can't just finish an album and then release it. All kinds of things have to happen first, from setting up marketing to distro contracts to CD manufacturing, and so on. It takes time.

And labels have every right to complain about people illegally downloading. It's fucking stealing!

No it's not.

It's copyright infringement. If you're going to argue about this, use the correct terminology.

:rolleyes:


lol totally have to agree with that sentiment, SA. I am a dirty DLer, but I don't make myself feel better by trying to split hairs. It's theft. =)


So if it's stealing why do you do it? Are you a thief?

(sorry, Evil Dead, it's nothing personal I just get wound up by this particular argument) :P :P

From wikipedia.

Quote:
The actus reus of theft is usually defined as an unauthorised taking, keeping or using of another's property which must be accompanied by a mens rea of dishonesty and/or the intent to permanently deprive the owner or the person with rightful possession of that property or its use.

For example, if X goes to a restaurant and, by mistake, takes Y's scarf instead of her own, she has physically deprived Y of the use of the property (which is the actus reus) but the mistake prevents X from forming the mens rea (i.e. because she believes that she is the owner, she is not dishonest and does not intend to deprive the "owner" of it) so no crime has been committed at this point. But if she realises the mistake when she gets home and could return the scarf to Y, she will steal the scarf if she dishonestly keeps it. Note that there may be civil liability for the torts of trespass to chattels or conversion in either eventuality.


Who is permanently deprived of property by downloading an album?

It may seem like a technical distinction, but you guys are the ones blowing up an extremely commonplace act of copyright infringement into a grave moral offence (i.e. theft). It's pompous high-horsery.

Infringement of copyright is entirely different. For a start, it isn't a criminal offence (as far as I'm aware- I think it depends on the country). Secondly, there are dozens of clauses surrounding it that mitigate it (unlike with theft), including "fair use". For example, if I make an unauthorised copy of a record with the intent of showing it to somoeone else, and getting them to buy it if they like it, you could feasibly argue in a court of law that no offence has been commited at all.

As a matter of fact, I am not condoning downloading albums. However, calling it "theft" is hyperbolic nonsense.


Last edited by rio on Fri Sep 04, 2009 1:20 pm, edited 1 time in total.

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PostPosted: Fri Sep 04, 2009 1:20 pm 
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rio wrote:

As a matter of fact, I am not condoning downloading albums. However, calling it "theft" is hyperbolic nonsense. :P :P


Agreed.


.:crast:.

edit: Removed me vomiting bile regarding megadeth. It's thrash, and it's a well known fact that I don't get it. No need to argue.


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PostPosted: Fri Sep 04, 2009 3:04 pm 
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It's a good album. Not sure if it's better than United Abominations yet, but it very well might be.


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PostPosted: Fri Sep 04, 2009 5:12 pm 
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Einherjar
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rio wrote:
So if it's stealing why do you do it? Are you a thief?


Because it's free. I've never claimed to be a saint or anything. =)

I don't see how getting something that you'd have to pay for otherwise, for free without any consent, isn't stealing, but I don't really care all that much to argue it.

I DL all types of media. I got tired awhile back of blowing tons of money on forms of media that are soon going to end up collecting dust because there's a new way to watch or play them... Or having collections pile up that I no longer care for.


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PostPosted: Fri Sep 04, 2009 5:52 pm 
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I suppose if you get money for free by ROBBING someone or sex for free by RAPING someone, you're ok with that too, right? Kids nowadays.



( :P )


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PostPosted: Fri Sep 04, 2009 7:48 pm 
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Satan's Anus wrote:
TheMetalWarrior316 wrote:
Goat wrote:
Record label nonsense, no doubt.

And then they complain about the donwnloading of the albums...

I'd like to know if there is a connection between the number of downloads and the time between recording (or: Leak date) and releasing of an album.

Do you have ANY idea how the machine works? You can't just finish an album and then release it. All kinds of things have to happen first, from setting up marketing to distro contracts to CD manufacturing, and so on. It takes time.


Why not releasing it first as mp3 on Itunes or Amazon and then when it's pressed as CD?

If you want the CD, then you have to wait. If not, you can buy it instantly after it's finished. (Maybe you get a bonus for the cd, if you buy the mp3...)

Ok, it sounds strange, but it could be a good attempt to fight the illegal downloads.


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PostPosted: Sat Sep 05, 2009 12:40 pm 
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Youthanasia is also my favorite Megadeth record.

I'll listen to this album when it's finally released. It's being released later this month, right?


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PostPosted: Sat Sep 05, 2009 4:59 pm 
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When did Dave's voice change? :unsure: It sounds the same to me, always has.

And yeah, I think Youthanasia is their best album. Aside from my general dislike of "A Tout le Monde," the entire album is brilliant. Then again, it's probably their catchiest album, which would explain why an 80s-rock fanboy would really dig it.

Even still, I don't find Rust In Peace to be this amazing classic that so many claim it is. Sure, a solid album, a great one even, but it's never blown me away. But I generally like groove and melody so thrash has always been one of the more lifeless genres to me.

And the first three Megadeth albums, while good, are way fucking overrated.


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PostPosted: Sat Sep 05, 2009 6:25 pm 
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Satan's Anus wrote:
...

Even still, I don't find Rust In Peace to be this amazing classic that so many claim it is. Sure, a solid album, a great one even, but it's never blown me away. But I generally like groove and melody so thrash has always been one of the more lifeless genres to me.

And the first three Megadeth albums, while good, are way fucking overrated.


This.
Never was too big on Megadeth, though I'll acknowledge that the first few are decent enough.
Sorry, DW...


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PostPosted: Sat Sep 05, 2009 10:16 pm 
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Unlike his buddy James Hetfield, Dave's singing style has been pretty consistent throughout his musical career. It's just that, as he got older, his voice naturally aged with the rest of his body (particularly, on Megadeth's last two albums, it's considerably more hoarse and gruff than on the band's previous albums). But if you were to play Peace Sells and then play United Abominations to somebody who's never listened to Megadeth before, I don't think he'd have too hard a time seeing that both records were sung by the same guy. By contrast, play Master Of Puppets and then Load to somebody who's never listened to Metallica before. Chances are, he'll have a heck of a time believing they were both sung by the same vocalist.

IMO, Dave's vocals hit their peak during Megadeth's 1992-1997 years.


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PostPosted: Sun Sep 06, 2009 1:43 am 
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I would say there is a bigger difference in James Hetfield's vocals in KEA and RTL. He sounds a lot more different in MOP.


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PostPosted: Sun Sep 06, 2009 3:19 am 
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Yeah that's pretty much what I meant.His voice was pretty gravely and its hard for me to take sometimes,I would rather they just get somebody else to do the vocals,but whatever.It just depends on the mood I'm in.Though in fairness,his voice is pretty good in the new album.


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PostPosted: Sun Sep 06, 2009 12:07 pm 
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You should hear his vocals on No Life 'Til Leather, where it's pretty obvious he was trying to sound like Sean Harris from Diamond Head. That Harris influence then carried over to his work on Kill'em All.

I don't really hear much of a difference between his vocals in RTL and MOP. Except that, in RTL, he sounded a bit younger and less confident.


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PostPosted: Sun Sep 06, 2009 9:03 pm 
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James's voice aged as well. A lot of young singers sing wrong. Bad technique and all that. These singers are able to continue singing by changing how they sing. It's preservation, really. A lot of times, anyway.

And Hetfield's voice on those first few albums is that of a young kid, so it's obviously going to sound different no matter what. Same with Mustaine. I think they both sound the same, albeit just more manly.


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PostPosted: Sun Sep 06, 2009 10:34 pm 
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cry of the banshee wrote:
Satan's Anus wrote:
...

Even still, I don't find Rust In Peace to be this amazing classic that so many claim it is. Sure, a solid album, a great one even, but it's never blown me away. But I generally like groove and melody so thrash has always been one of the more lifeless genres to me.

And the first three Megadeth albums, while good, are way fucking overrated.


This.
Never was too big on Megadeth, though I'll acknowledge that the first few are decent enough.
Sorry, DW...


:sad:

I'll keep my fanboyism silent...


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PostPosted: Sun Sep 06, 2009 10:39 pm 
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Dang, I cannot understand someone not thinking early Megadeth is awesome. So fast, so energetic, such awesome solos, such great riffs...


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