dreaming_h wrote:
While they got poppy and more electronic with the albums following The Game, The Works and A Kind Of Magic being very mainstream-ish 80's synthie production-wise, I feel they also got more ROCK in the later part of their career. I'm thinking here The Miracle, Innuendo and some songs from the albums mentioned earlier: Princes Of The Universe, One Vision, Hammer To Fall. I loooove the last two albums, because they delivered some quality ROCK material: Scandal, Breakthrough, I want it all, Innuendo with that awesome middle-part, Headlong, Show Must Go On, ohh and the start from Was It All Worth It, when it's so silent in the beginning and it just bursts into a guitar chord (I almost fried my car speakers, hehehehe). I myself like their first and last albums the most: Queen I,II, SHA,AKOM,The Miracle and their MASTERPIECE Innuendo.
I honestly think the success of Another One Bites The Dust probably had a lot to do with why Queen went in that "80's synth pop" direction, starting with Hot Space. Another One Bites The Dust was a very funky song with a lot of synthesized sound effects, a little proto-techno, and a definite disco influence. The band saw how popular the song was (their most popular in America, in fact), and basically decided, "Hey, why don't we just make an entire album like that?" Thus, Hot Space was born. With explicitly poppy songs like Under Pressure and Body Language (that's not a knock against these two songs, by the way). Then, after Hot Space flopped, they tried to regain their bearings a little with The Works and A Kind Of Magic. Mixing heavier classic-Queen songs like Hammer To Fall (possibly the heaviest song they ever did up to that point - along with may be Now I'm Here) and One Vision with some more 80's pop like I Want To Break Free and A Kind Of Magic. In a way, you can't really blame them for going in the direction they went in with Hot Space, The Works and A Kind Of Magic, since they had such a huge hit on their hands with Another One Bites The Dust. But I guess they neglected to realize that Americans were also crazy about songs like We Will Rock You, Crazy Little Thing Called Love (one of the coolest Queen songs ever, especially that 50's-style guitar solo in the middle), and Bohemian Rhapsody. Thus, their Stateside career was more or less ruined with Hot Space.