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Noumena is a powerful party of harsh, folkish metal in the vain of old Amorphis and a whole bunch of melodic giants. They have been growing a steady fan base all over Europe for a number of years now and just released their third album late last year. Guitarist Tuukka Tuomela (T) and vocalist Antti Haapanen (A) sat down with metalreviews for an in-depth chat.
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Dear Noumena, welcome to your Metalreviews interview! Your band is most likely new to many readers out there, so give short synopsis of your history so far.
T: Well, the band was founded in 1998 and in a few years a few demos were made. Right now we have just released our third album. We’ve been usually called melodic death metal and normally compared to Amorphis and some of the melo-bands from Sweden.
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People can surely find more info from the bio on your website…which is?
A: Oh yes, www.noumena.info Check it out!
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By browsing these pages, I found out that your past hunting for a record deal has been colourful to say the least. You seem to have crossed many countries of the world with your labels. Is my understanding correct when I say that youve gone through Singapore and Australia on your way to Finland and Spikefarm Records?
A: Yes, just to put it accurately, the Australian company was located in Tasmania *laughter*. It’s quite simple, we just didn’t have a whole lot out there to choose from. A drowning person tends to grab whichever helping hand there is within reach.
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What has the feedback been like, now that your third album, Anatomy Of Life has just recently been released on Spikefarm?
T: The feedback has been mostly excellent. Of course there have been some reviews that are less admiring, just like with the previous album, Absence. We are very happy with the album ourselves and are glad that this has caught up with some people.
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The material on the new record is much more epic and the production is fatter than on your previous works. How would you consider you’ve progressed on your way to this album?
A: I think our material has become much more tight and unified. Tuukka and Ville, our main songwriters, have a very solid vision nowadays on what a Noumena-song should sound like. Personally, I enjoy this more epic direction we are heading to very much.
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Your music has surely been compared to older Amorphis and some of the melodeath-greats of Gothenburg. Personally, I also hear flavours of some Dan Swanö’s projects, like Edge Of Sanity. What influences would you name as the foundations of Noumena?
T: My musical influences really began with Metallica, when I started playing the guitar. Now that you mentioned Mr. Swanö, I must say that Edge Of Sanity has been and still is one of my favourite bands.
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So do you have your own Crimson waiting in the wings? An album containing just one song, maybe 45-minutes long?
T: Well, I wouldn’t go that way, even though Crimson is a marvellous record. I guess it would be possible, but no.
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As we can imagine from the list mentioned above, your music has extremely numerous elements mixed together. Are there any musical styles that you couldn’t or wouldn’t want to experiment within the limits of Noumena? At least not without doing a funny-haha-drunken-thing-on-a-single’s-B-side?
T: Well, personally I would not flirt with the kind of 80s wailing, double-bass flurry-filled power metal elements. I can’t stand that stuff.
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You employ quite the wide array of vocal styles on your records. Is this thing based on your personal preferences?
T: Our female vocalist, Hanna, has been on just about every Noumena-recording through history, so we have wanted to keep onto that consistently. Then on the latest few records we have also had clean male vocals, provided by Tuomas Tuominen of Fall Of The Leafe fame.
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It seems your touring plans are quite tight for the beginning of the year. How are they actually shaping up?
A: Right now it seems pretty good. At the moment we are waiting for the gig in Joensuu to start and we’ve got about ten gigs in Finland alone waiting for now. In the beginning of May we have stern plans to head back into Germany and the neighbouring areas to spread the joy.
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If you picture yourself into an audience at a gig, would you rather see über-technical playing that doesn’t include much mistakes nor a lot of movement between the players or a mad show with leaps, flips, poses and all, even if that affects the playing of the band?
T: I’m such a shitty guitarist anyway, that if I tried to play perfectly all the time, I couldn’t move at all out there. It is quite exciting how you take these risks on stage. You start to spin your hair wildly around and before you know it, you’re guessing the notes that are supposed to be in that solo and chords go almost there. So we aim to put as much in the action as possible.
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Like you said, you have toured some of continental Europe as well. How have the lands of Germanic power metal and tharsh metal madness taken in your music on your visits?
T: Well, on the latest tour we had, what, eight or nine shows. Three or four of them were very good, two were OK and two were the kind that we could just forget without mentioning for a number of reasons. On a couple of those shows we could see how the people were nearly bursting out of the windows, really liking what they heard and saw. We sold a lot of records and some even came to talk to us.
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According to some twisted sources, you enjoy to have little competitions amongst the band members, such as tabasco-drinking sprints. Any other challenges you would like to tell us about? ?
A: Well, we’ve had some of those, but they have been mostly put aside in favour of empirical studies. For example, right now we are working on seeing if a male human can effectively urinate while standing on his head. If it is possible, then we will see if it is easier with a flaccid dick or, as we call it, a “semi-hard German”.
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So a type of Mythbusters-thing going on?
A: Yes, although I have not heard of a myth that a man would lose his eyesight if he urinated while upside down or anything similar.
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A genuine Queensrÿche of our times, excellent! Now that we have gotten you into the world of mental imagery, let’s try a small mindgame. The whole band is in a Cadillac Convertible in the middle of the desert on a long stretch of highway. No one in sight, just sand and a road that goes on forever. You are equipped only with the following: a megaphone, a potted cactus, Acapulco-shirts for everyone, an inflatable rubber swimming pool, an acoustic bass, a pair of bongos and in the trunk, a crate of Captain Morgan-rum. All of a sudden, a horde of pink giant lizards appears in front of you. What do you do? What happens?
A: Can I get a specific? Do we have a stereo system built in the Caddy and are we blasting out some Hellacopters?
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Let’s get philosophical for a while. What is the deepest essence of heavy music?
T: Jeezh, that’s tough.
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This seems like an excellent place to present closing arguments. If you would like to say hello or challenge someone to a duel, please do so now.
A: I would like to ask some hellos from Mr. Vänni of Insomnium.
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Metalreviews thanks you, Noumena. Keep the metal soaring and stay steely!
T: Thank you!
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At ease! -Corporal Aleksi- |
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