When I reviewed their CD, "Too Dumb To Quit" (see review), I was immediately impressed by the talent of these two guitar players, Chris Hattingh and Jim Reindel. They've produced a killer guitar instrumental CD. Chris Hattingh, one half of the killer guitar duo, was kind enough to do an interview for Metal Reviews. Also, be sure to check out our Sounds section for a couple of songs to download from their "Too Dumb To Quit" album.
MR: First of all, congratulations on an amazing album, Too Dumb To Quit. I still play it often even after reviewing it many months ago.
Chris: Thanks Marty.....Jim and I are both very happy with the way it turned out. The CD was actually a long-distance collaboration. I live in Sarasota, FL and Jim lives in Olmsted Falls, OH. We've never met each other in person - we crossed paths on mp3.com and both became instant fans of each other's guitar playing. We made the CD by mailing DAT tapes back and forth over a period of about 4-5 months. There is an exact 50/50 split of the guitar duties - on 6 of the 12 songs I play rhythm guitar, and Jim plays rhythm guitar on the other 6. On every song we also split the melodies and solos 50/50, so each song is equal parts Jim and Chris.
MR: Give us a little bit of your background (both you and Jim). What other bands have you played in before and what type of music? Are you guys involved in other aspects of the music industry such as producing etc.? I see that you both mixed and mastered your CD.
Chris: We've both been in music for many years - I think between the two of us we've played in just about every style of band imaginable. Individually we've opened up for artists as diverse as John Mellencamp, Head East, Humble Pie, Emmy Lou Harris, Alan Jackson, Loretta Lynn, Jerry Lee Lewis, Alan Holdsworth, 38 Special, Jefferson Airplane, Adrian Belew, George Jones, Ronnie Milsap, Jimmy Buffet etc.

Between the two of us we've played a bunch of major events like the 1987 Pan American Games, Disney World's Jamstand 1990, the 1991 US National Hot Air Ballon Championships, SeaFest 1999, Fishstock 2000, Meeting of the Minds 2001, etc. We've also been featured in Guitar Player, Guitar World, BAM magazine, JAM magazine, Prog-Resiste magazine, Southbound Beat magazine, Brevard Live magazine and many others.

I think I speak for both of us when I say that our hearts lie in a prog-rock musical direction, especially prog-rock that features great guitar playing. For the past 6-7 years I've been operating my own commercial studio out of central Florida, doing everything from recording, editing, mixing and mastering to session guitar and guitar synth work and even some MIDI pre-production, arranging and drum machine programming for some of my recording clients.

Jim has a small ADAT-based studio in his home and he's been busily producing jingles for the last several years, as well as recording some great albums with his other band "Reindel". Check them out at http://www.mp3.com

MR: Have either of you done any instrumental albums like Too Dumb To Quit in the past?
Chris: I believe most of Jim's past recordings have had vocals (but they all feature KILLER guitar playing!!). I've done several all-instrumental CD's, ranging from fusion to new age to shred:

Killer Album (Killer Dudes - 1992)
Music For A World That's Burned (Chris Hattingh - 1997)
Shred Head (Chris Hattingh - 1999)
Guitar Masters (Chris Hattingh -2001)
Baghavad Guitar (Chris Hattingh - 2001)
Guitar Masters 2002 (Chris Hattingh - 2002)

MR: Chris, I see that on the album, not only do you play lead guitar but also the bass and drums. Which instrument did you start with?
Chris: I started out on drums at age 12 and became a pretty serious drummer, taking drum lessons for 5 years and tympani lessons later on. For the first half of my pro career I played drums exclusively. After going to Berklee (as a drummer) I became interested in the guitar, and I finally made the transition from drums to guitar at age 26. Bass came much later....
MR: How often do you guys play live and is it a totally instrumental show? What other musicians do you use when playing live?
Chris: Actually we've never played live as a band. We have been talking about it a lot though, and we've got a killer 5-piece band on standby just in case: Jim & I on lead guitars Michael Mangaroo from Port St. John, FL on rhythm guitar Denny Lalouette from Johannesburg, South Africa on bass Tony Mack from Nashville, TN on drums

If Too Old To Rock ever had to tour we would just rehearse flat out for a week in a centralized location and then hit the road. It would be an all-instrumental show though...even though Jim, Tony and I can all sing quite convincingly, I think the guitar show would be more spectacular.

MR: I love the song titles, Arthritic Shredfest, Viagra Falls etc. They all seem to be poking fun at growing old. Just how old are you guys and do you really think that you are in fact getting too old to rock? (I certainly don't think so)
Chris: We ain't telling!! :o)
MR: I think the tongue-in-cheek song titles also add a playful and good time feeling to your music and I get the impression that you guys don't take yourselves too seriously. What's your feeling on that?
Chris: Your reaction is exactly what we were hoping for. Jim and I are both very tired of all the new bands who always try to look so serious and pissed off, and we don't particularly like the new face of rock today (the hostile and aggressive attitudes, the mandatory tattoos, body piercings and tongue splittings, pants ten sizes too big, all the posing...etc.) We also think it's pitiful that many capable musicians who are in their thirties seem to think that the only way they're ever going to make it in music is to pretend that they're 21 again.....so we decided to go for the exact opposite image. We're trying to act older than we are, we have no "cool" image (in fact we don't give a damn about what anyone else seems to think is "fashionable" or "trendy"). We're just in it for the fun......and to play some good guitar music. We kid each other mercilessly about our ages, and if we ever do play out live, we're gonna be wheeled onto the stage on wheelchairs for our opening number.....
MR: I see in the liner notes of your CD that you mention Jimi Hendrix, Rush and Michael Schenker (one of my favorite guitar players) as being influences. What does each one of those artists mean to you as far as your development as a musican and an artist?
Chris: It's Jimi Hendrix's fault that I turned out the way I did...from the time I heard my first Hendrix album at age 12 (Band Of Gypsys) my life has never been the same...at that moment I knew what I wanted to do for the rest of my life. Although I don't sound much like Jimi now (I've had many other influences since then) I can always get back to the magic of that moment emotionally.

I'm going out on a bit of a limb here speaking for Jim, but just by listening to him I am automatically reminded of Rush, Eddie Van Halen and Michael Schenker...only Jim is better in my humble opinion. I also hear faint references to Ritchie Blackmore in his playing. (Blackmore is one of my faves too....)

MR: I also hear influences from Joe Satriani, Eddie Van Halen (obviously on Arthritic Shredfest), Led Zeppelin for some of the acoustic work and even Iron Maiden, with the rhythm guitar sound on a few tracks having a big fat mid-range thick sound like on the Piece Of Mind album. Any comments on those observations?
Chris: Your ear has not failed you my friend...you are right on the mark with all of the above observations, except that I've never heard the Piece Of Mind album you refer to (however I do dig the Run To The Hills album, and there are one or two places on our album where I can hear a slight Maiden influence in the rhythm guitar parts....)
MR: What type of gear (guitars, amps, effects etc.) do you and Jim use (prefer). Do you prefer the modern digital effects or are you like me and prefer the analog stuff and old tube amps? Whatever your preferences, describe how they shape your guitar sound.
Chris: Actually we play through some god-awful cheap shit...I think Jim has a POD and a Tokai guitar and I have an old Digitech Legend preamp (all digital - sounds horrible) and a Samson power amp with a Peavey 4x12 cabinet. My electric is a Jackson Stealth with diMarzios, and both of our acoustics are cheap entry level guitars with horrible action and tone, where the 1st and 6th strings keep slipping off the necks....
MR: How are the sales so far of the CD?
Chris: Slow but steady...we're not quite at the break-even point yet. So far the most sales are coming from http://www.guitar9.com and http://www.cdbaby.com
MR: hat parts of the world have been most receptive to your CD? Are you getting any radio airplay at all?
Chris: Actually response has been very good around the globe...we're getting some airplay in Germany, England, Finnland, Brazil, Indonesia, Canada, France, Australia, Singapore and Greece, as well as here at home in the USA. We've also gotten some great reviews from music publications around the world...so far all the feedback has been very positive - it's quite humbling.
MR: Have you managed to attract major label interest yet?
Chris: Not yet...I think maybe we should have shown a bit more leg when we posed for the album cover....
MR: Are there any plans in the works to do another CD? If so, will it be the same instrumental format as Too Dumb To Quit?
Chris: Funny you should ask - Jim and I were just talking on the phone last night about that very thing. We're dying to do another album, but we first want to wait until this one at least breaks even. The next album will continue the zany geriatric theme and will also be all-instrumental and all over the place stylistically - we just can't help ourselves......
MR: I'd like to thank you for your time to answer these questions for us and I wish you much success and luck in the future. Any last words for our readers?
Chris: You're never too old to rock!!

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