Tom Englund, the founder, guitarist and vocalist of Evergrey took some time off to chat with MetalReviews about the band's move to a new label, new album Torn, the way Evergrey look at how their music comes to be. In one sentence, you will find a strong-willed, determined and unapologetic musician.

Congratulations to Evergrey on the new album and a new deal on a new label! This feels like a new beginning on many fronts. Does the band feel rejuvenated? What can the fans expect from the collaboration with SPV in the nearest future?

Yeah, after quite some time with struggles on different levels it feels we are back with a strong album, a feeling of freshness within the band and, as you said, new label as well as new management, booking company etc… so this far, counting all the fantastic reviews, everything feels peachy ; ). Since we just started the collaboration with SPV the few things I’ve noticed so far is that their whole business is on another level than on Inside Out, everything seems more for real.

As many of my reviews on www.metalreviews.com plainly indicate I am a huge Evergrey fan. Always has been, so it is very strange for me to often read that Evergrey is a “love it, or hate it” band. As I am squarely in the “love it” corner, why do you think Evergrey can be so polarizing? Does the power metal crowd think the band is not straightforward enough? Does the prog crowd think the band is not “twisted” and “sophisticated”?

Well, since I have been in this band from the beginning and no one ever has been able to categorize us I have stopped to bother with why some people don’t like us and why some do.

However, I must say that the thing I am most proud of is just that we have an identity of our own and that is something I think every band strives for. It is worth more than anything I could think of. We are a plain metal band with a huge variety of influences, that’s why we sound the way we do.

The previous album Monday Morning Apocalypse. Much talked about and much maligned. From the many posts on our zine the album was not the best received. Honestly, it isn’t one of my favorites Evergrey works either. Did the band expect such a reaction? Evergrey often says that it was the album they HAD TO make at the time. Why?

Well, every album we make reflects back on the time in our lives we were living then. That, of course, influences everything from our music to our persona. The funny thing, or the most amusing thing, is that the ones who did not love the album had the urge to say that over and over again, screaming on top of their lungs. That amused me, that we, a shitty band from Sweden, were able to provoke people that much with an album. We, as a band, are very proud of MMA and we still today play A LOT of songs from it live and when that happens it’s not like people go “Hey, WTF is THIS???” It doesn’t sound like Evergrey at all, on the contrary, these are still songs that are among the most appreciated live. If we were to listen to all complaints and suggestions on how we should sound, more keys, more guitar-solos, less this and less that, then the music would not come from us, from our hearts, it would be a compromised band where we made music for the fans. We make music for ourselves first and foremost. We are just happy to have loads of loyal fans around the world that happen to enjoy us as much as we do, that is a great feeling, of course. And the strange thing is that MMA in many people’s eyes was a failure, but how do you measure success? Is it in sold albums, more touring, better benefits from up and coming record deals? If it is, MMA is the biggest success for us to date.

The new album Torn. Definitely a step away from Monday Morning Apocalypse and reaching back into the band’s history. How did that come about? A conscious decision or a spontaneous backlash?

Same thing here, we write music inspired from our surroundings, our daily lives. And apparently this is how we felt then. Without the MMA album, Torn would never have sounded the way it does today. But I think the main differences is that there is a lot more “music” on this album, more passages of instrumental parts and some more technical elements as well. Things that people maybe have come to expect of us during the years.

That being said we might sound like Morbid Angel on the next album, I don’t have a clue as of now---

[Somehow I don’t think so, and certainly hope not].

Without the lyrics sheet (the only lyrics I have seen so far were for the track Fail) it is difficult to say whether Torn is in any way conceptual album. Is it? Are the tracks connected in any way lyrically and what prompted so many one-word titles? No outright ballad on Torn either.

No, it’s not a concept. The only concept behind it, in this case, it deals a lot with struggles and the fears of the human psyche. One word titles? I hadn’t even reflected on that before you asked me now, so no : ). A ballad, or whatever we should call it, will be on our albums if we have one written or if we feel the album needs one. This time it didn’t happen and I think the title cut is as close to a ballad as you will get on this album. It would be boring for us to have a ballad on every album, just because that is what people have come to expect of us.

Torn does make some use of female vocals on These Scars. Not that this aspect is the main staple of every Evergrey track ever produced, but it does contribute a lot to the overall impression, as evidenced by A Night to Remember DVD. Are female vocals here to stay? To expand?

We use Carina when, once again, there is a need for it. Same goes for guitar-solos and keys. Whatever the song needs to improve, we will put it in there. BUT, we won’t put it in there if it doesn’t fill a purpose. Guitar-solos should be there if you have something to say with them. Not just because – hey we are missing a guitar solo in this song, let’s make 32 more bars so that we can get it in there. With that being said, there’s a LOT of solos on this album. HAHAHAHAHAHAH…….

Some bands maintain their lineup, or at least the core of it, for years. Case in point, Judas Priest, 4 guys staying together for over 20 years, then needing some separation, but inevitably feeling the urge to reunite. Evergrey is certainly different, with only you remaining from the original days. How does this reflect on the band evolution? Is songwriting a committee or a dictator process at Evergrey?

So far it has made us better, feels like a football [soccer] team, we exchange players for better ones when it’s needed. No, all jokes aside, this type of profession needs 100 % dedication and a lot of positive vibes to keep the band rolling. With some members the goals has not been there and with some they have just felt the urge to do something different.

For this album Jonas, the drummer, has written almost half the album together with me, Henrik has written some on his own and the same goes for me, so, I guess, it is very much a democracy with a strong determined captain.

Evergrey relationship with melody. The beauty is certainly in the eye of the beholder, but for my liking, Evergrey has come up with some of the darkest, coldest, most morose of the kind. What is the source of inspiration? Can you ever imagine Evergrey distancing themselves from the melodic aspect?

No, that is one thing that will definitely stay intact, that is a trademark of Evergrey as much as my voice. We love to create landscapes of darkness with different instruments and melodies. On Torn there are so many details that you probably won’t hear them on the first couple of listens. Sounds that are on keys, but sound like guitars or something totally different.

Jari Kainulainen coming over from Stratovarius is a new Evergrey bassist. How is that working out on the third bass player over the course of the last few years? Is Jari comfortable after being on an allegedly “larger”, more power metal mainstream band like Stratovarius?

Well, I think, or know, that he is very satisfied with being in a band where he enjoys the music. And we are certainly enjoying his playing, he is probably the best player I have heard, ever.

A few years ago Evergrey visited the US on the Iced Earth/Children of Bodom tour. I was at the tour kick-off show in Cleveland, OH, showing up mainly because it could have been my only ever chance to see Evergrey live and shake your hand thanking you for the art. Any plans, with the help of the new label, to take another jaunt over to these shores? Or are there some sales albums preconditions?

Of course, we are coming over, we want to and, of course, need to. We have done a tour with Arch Enemy there and one with In Flames, as well as the one you mentioned so not to go there now would be really stupid. Also, we will have our video premiere on MTV Headbangers Ball there so hopefully that gets something cooking : )

A few last touches. What are Evergrey the people? Background, education, any day jobs being held? It is always interesting for me personally who stands behind the music I admire.

No day jobs, even though Henrik just bought a restaurant. Other than that we create music, I produced other bands up until recently, when I sold the studio ‘cause of lack of time. Besides that, me and Jonas write music for other artists, TV shows, everything that has music written over it we will do. We feel lucky.

Good luck with everything, thanks for the new fantastic album and let’s hope we meet again some time soon.

Thanks

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