Brahm_K wrote:
Radical Cut wrote:
And honestly, early Priest isn't much more "metal" and certainly not significantly more threatening, intense, or extreme than either Sabbath or Zep's efforts until that point. So for them or anyone else to attempt to claim that they had equal or more part in creating the genre than either of the aforementioned two groups would be insane. They took a stab at moving it along when the supporters of the genre were still scarce, but they didn't lay the seed.
Sad Wings of Destiny, Sin After Sin and Stained Class are certainly more "metal" than albums like Paranoid and Led Zeppelin III. Just look at Tyrant played live on Unleashed in the East! That's proto-thrash right there. Stained Class in itself influenced about 5695504595 different genres, ranging from speed metal, NWOBHM, to thrash, of course. There's no question that Priest had a huge involvement in the creation of metal, much more, I think, than Sabbath or Zep.
Ok, that's albums 2-4 for Priest, ranging from 76-78, and albums 2 and 3 from Sabbath and Zep respectively, from 71 and 70, respectively. Way to ignore the fact that I said "until that point", and not five to six years earlier. Not to mention you picked Zep's most folky and least agressive record, but hey.
If you would compare them to say, Sabotage or the material until then, and the material from Zep up until Physical Graffiti, the gap is narrowed considerably. Sabbath and Zep both packed a punch, their music was powerful. Sad Wings of Destiny hits like a girl. The instruments all sound tame and the performances were loose, in a bad way. And the next two album's suffered from the same general problems, though they did get a little better. The guitars were never as monstrous as Iommi, even compared to his early days. The drums especially, were simply nowhere near as heavy or tight as as either Zep's or Sabbath's, and that powerful, driving percussion did a lot to propell those bands and compliment their heaviness.
At the very least, Priest was more of rock band than Sabbath, who actually had consistently heavy riffs, more than a little distorted guitar, as well as the ability to be ominous and threatening with both their compositions and the performances they put in on record, and also record a superb track like Hole in the Sky that had plenty of rock to it, without sounding weak and tame like Priest's less metal material (which was most of it). And if there ever was a quintessential proto-thrash song to come from that period it belongs to Sabbath and not Priest, in the form of Symptom of the Universe.
Zep established the blueprint, Sabbath built the house. Priest just stayed there for awhile, and happened to leave their dual lead guitars.
And if you want to harp on lead guitar for awhile, I can say without question that the Scorpions had the edge in that department when they had Uli Jon Roth in the 70's. Priest did have a lot of influence, especially with bands that would adopt the twin lead guitar style, but their importance to metal in general is being grossly overstated here and Sabbath is getting brushed off too easily.