Goat wrote:
North From Here wrote:
I'll buy After as better than everything but Nightside, sure, except one thing: I consider Prometheus equal with After.
I'll have to give Prometheus another go, it's grown on me over the years but I'm not sure I like it as much as you...
Fair enough, it is an album I've battled with others over for years, I understand and expect some people to not like it nearly as much as me. I do think the synths are a little overdone, but the guitar tone and phrasings still sound so fresh, Trym's drums were never better, and the unique, always thoughtful song structures differentiate this from any album you would want to compare it to. I remember being excited when it was released because Ihsahn was turning into a guitar hero (even if he only soloed on Tongue of Fire/Eruption), but at its core there is still a lot of blastbeats and tremelo. I think what people found, and still find difficult, is the combination of layered instrumentation plus the nearly impenetrable songwriting. 'Depraved' is a good example of this: I disliked it until listen 6 or 7 when I noticed there was a hook in the form of a very catchy repeated riff/lead/blastbeat section towards the end of it, which made the rest of the track suddenly fall into place.
It was initially hard to hold onto anything from the individual tracks (save Grave or The Worldless Chamber) but I don't think it wasn't Ihsahn being pointlessly complex: the memorable riffs are definitely there, just a bit buried within the layers. Plus the songs feel very, very different from each other: 'The Prophet' sounds like technical grunge before turning into black metal Rotting Christ, "The Tongue of Fire"/"The Eruption" definitely have black metal Dream Theater vibes, 'Worldless Chamber' is a hybrid of Dimmu and Amon Amarth at their best, "Empty" is Emperor covering modern Abigor, and "Thorns on My Grave" wisely closed Emperor's career by sounding like 2001 Emperor doing a Nightside song.
Anyway, I just realized that since this album has to be in my top 25, that means Ihsahn gets Nightside, and since they are basically tied, After in the top 25 as well. So 3/25, not bad for Mr. Tveitan.
P.S.: Just read Emperor's first concert was with Enslaved (who had been playing for a few months at the time), I think that ticket would have been a good value.