traptunderice wrote:
I don't know how I feel about the emphasis of story over character. I think I'm totally fine with TV being about characters; my favorite moments in the show are McNulty and Omar. Would I like them as much if they got more face time? I don't know, but those are the sections I like best.
Characters are great, characters define most TV, and most of the best TV, just like so many of the greatest novels. Look at Tony Soprano or Al Swearengen for example. Unforgettable characters make for unforgettable TV.
I don't think the Wire ever sought that. Omar and McNulty have major impacts, but ultimately the writers wanted them to feel replaceable. This show was about the creation of a city and various power structures within it, and how characters struggle against the institutions (drug trade/politics/school system/police department/port etc...) that ultimately win the day.
It is a rather depressing message, and maybe it isn't that compelling ultimately, either, but, to me, it feels uniquely authentic.
As to the literary aspects of the show, you have a point about it not being much of a page turner. Everything dramatic about the Wire feels more orchestrated and foretold to me than genuinely surprising or shocking. But also, when I watched the Wire, I see the anti-'history of great men/character' story that TV conventionally loves to show.
To draw a parallel to a book often described as a novel, but in many ways a historical account, War and Peace was very much about demythologizing 'Great Men' like Napoleon. War and Peace cut against the traditional story of Napoleon as supergenius that couldn't possibly have a lost a battle and showed just how much chaos and luck was involved in making the supermyth out of a man. I'm not saying The Wire was on par with that in terms of knocking down the supercharacter at the core of every great TV show, but the way you see characters in the Wire struggle against overpowering institutional forces gives, to me, a literary component that at least recalls something like Tolstoy.