Adveser wrote:
Rhys wrote:
Never liked anything he's ever done.
Me either. He needs a music theory class or two on how to write something without hanging melodies and a reminder that overdubbing something boring a dozen times for production reasons doesn't make it better or improve the songwriting whatsoever. I think he goes overboard and destroys the dynamics and the timbre of the instruments.
For a producer, you'd think he'd be aware that you never add a track that destroys another track's dynamics and timbre and you mix instruments in their own space, not every instrument everywhere. You don't fix a track with an overdub, ever.
I don't hate the guy and have nothing against him or anything, but i'm pretty damn harsh on other producers. I'll rip my favorite producer (sonically) Peter Collins to shreds too if the subject comes up.
Gonna slightly nit pick here as I did an analysis of some of the stuff from Addicted for a report, namely Supercrush! If you look into some of the things he adds, the little details and rhythmic things in the background that add to feeling and keep the track moving you'll see (or hear) that he does balance them out. For example, in that track he overdubs the guitar parts with his own voice that add an extra dimension to that specific element. It's something he does a lot actually if you listen. To me it's no different that layering up keyboard patches, which is probably why I don't take such an issue with it. Back in the 80's they layered patches up like there was no tomorrow, so why is Devin's technique over doing multiple layers so bad? They never overpower the main components of the song, they just add to it.
I know you're very much into the old school way of recording, using tape and such, but even just because you disagree with what he does doesn't make it in any way wrong. What he produces SOUNDS good, even if you disagree with his methods. Perhaps it's just down to musical tastes or something, but I don't find anything wrong with it.