MetalStorm wrote:
Adveser wrote:
For those of you having a difficult time finding "Prisoners in Paradise" the Japanese Remaster is perfect. The original sounds very very weird and scratchy the first 3 times I d'led it, so I gotta assume it was a problem with the original pressing.
The production is amazing on PIP. I think someone forgot to anti-alias and dither the digital transfer, hence it sounds like if you take a 48khz file and stick it on a redbook CD.
PIP sucked badly. If they wanted to do a blues style of rock album maybe they should have called the boys of Cinderella to give them pointers because the final product was crap.
And that was the starting point of a downward spiral that has been Europe's releases. Like I mentioned earlier in the thread I wish they would go back to the style of their first 2 albums and leave this modern rock crap behind.
Joey Tempest is an exceptional singer but he sounds so tired and stale these days maybe something a lot harder would jolt his vocal range back into sync.
Yeah. I can understand where that is coming from considering John Norum had left the group once he heard the final mix of "The Final Countdown."
Pretty much when bands start messing with the dynamics of the songwriting team, the product turns to shit. Pro songwriters and producers can hide that for an album or two by basically making sound-alikes and reusing the same melodies or ones close enough to it to sound recognizable without repeating themselves.
I think that is pretty much the case here and it adds to the other discussion because pretty much without a big budget they weren't able to keep up the pace or quality.