ganeshaRules wrote:
cry of the banshee wrote:
They were fairly well known within the metal scene here, too.
I had R&W by late 83 / early 84, right before BTTW hit the scene (here at least).
We don't live in a vacuum, after all.
In the early 80's, there was a huge explosion, (probably like what was experienced with the British invasion of the mid-60s).
It spread like wildfire, thanks to tape trading and word of mouth.
Yes, I know... It was not directed to you, it was directed to Ken and all his mainstream thing. Classicness is not decided by the success in USA, in Europe or in Vietnam, it's more a matter of qualiity/influence. And here we know than R&W and BttW are both classics, and that's not a opinion, it's a fact. Metal Heart being a classic is more of an opinion.
Bt the way, the Accept record I'm more emoional tied is not a classic one: Breaker. Was my first Accept, in 1982, and the combo of Breaker, Run If You Can, Can't Stand The Night & Son Of A Bitch is one of best combination of songs I had ever heard.
No, I understood what you meant.. it's cool.
Just wanted to point out that Accept was not exactly unknown pre- BTTW here.
At least not by those of us that were savvy to what was going on at the time.
Point stands, and I am sure that you agree: Restless and Wild is a fucking classic, anybody that says otherwise is suffering from delusions, at best... at worst...? the tertiary stage of full-blown syphilis?
BTTW is good enough, but it trembles in the shadow of Restless and Wild, mainstream popularity / recognition notwithstanding.
BTW, both the Black Album and Kill 'em All fucking blow.
But especially the Black album...boring, tentative, commercial mediocrity.
It reminds me of whenever I see some white collar, corporate drone tooling his ass on a Harley- Davidson to his day in / day out routine cubicle - bound destiny of monotonous meeting minutes, just because he can afford one... necktie fluttering in the slipstream, wing tips on the stirrups, Wall Street Journal tucked safely away in briefcase... a play-it-safe, by the book, on the clock slave with everything to lose pretending to be free.
That sums up the "Black Album" for me.
Pseudo to the core.
EDIT: removed alcohol-tinged and overwrought speechifying, because in the light of morning sobriety, it makes no sense.
