The epic title track "The Scarecrow" starts with a surprising, very pleasant and interesting intro. We have Irish style violin and some kind of bombastic tribal drumming. Think of Riverdance. But as soon as Tobias Sammet opens his mouth, the promising song falls into the ooze of mediocrity. Artificial respiration arrives at time 2:38 when another super immortal divine singer (in addition to Khan, not to Tobias, that is) Jørn Lande takes the hold of control strings. The instrumental part at time 4:15-6:40 is good old epic, soundtrack fashion Avantasia, which I would have wanted to hear on this album a lot, lot more. Sucky guitar solo followed by Tobias' rather annoying voice drops the listener back to the ground. The end of the song is fortunately saved by the good refrain sung by Jørn Lande again.
"Shelter from the Rain". It is one of the rare power metal songs on the album featuring The Gods of Power Metal Kai Hansen and Henjo Richter on lead guitar and Michael Kiske on lead vocals. "Shelter from the Rain" could be straight from Keeper of the Seven Keys Part II, which is the only way I want my power metal to be served. I only wish Kiske and Bob Catley (Magnum) would have sung this song as a duet.
"Carry Me Over" is a tired, boring, million times heard before ultra-cheesy ballad with no guest singers on board. It has nothing to do with metal and surely must be considered as a crime towards metal loving headbangers. .
"What Kind of Love" is also a ballad, but this time a much better one, with a lot more interesting and nicer melody. And thankfully this time we have Amanda Somerville on lead vocals and Michael Kiske somewhere there on the background as well. As you probably have figured out by now, I'm not the world's biggest fan of Sammet's singing voice. And two ballads in a row... unprecedentedly outrageous.
Fortunately things get back on track with the song "Another Angel Down". It is one of the highlights of the album and not least because of its killer melody and - once again - Jørn Lande, the fourth best metal singer of all time. The guitar solo by Henjo Richter must also not be bypassed without a mention, since it rules. It rules! I don't have a booklet, so there is a possibility that Sascha Paeth contributes to the solos as well. We will find out as soon as the album is out.
"The Toy Master". Isn't that a killer song! The lead vocals are sung almost completely by the metal grandfather Vincent Damon Furnier aka Alice Cooper and the vocal melody line is one of the best Sammet has ever written. The first three and a half minutes of the song are extremely pleasant mid-tempo dark colored heavy metal. But then at time 3:35 the song takes a complete turn into a fast Painkiller era Judas Priest. Well done, Tobias, well done.
The second - and the last - power metal song of the album, "Devil in the Belfry" completes the second killer trilogy.
"Cry Just a Little" is yet again one of those totally unnecessary ballads, that should be forbidden by a law. The only good thing in this song are the vocals by Bob Catley.
"I Don't Believe in Your Love" is an average melodic metal song sung by one of my favourite singers, ex-At Vance lead vocalist Oliver Hartmann, as a duet with Sammet, of course. This is the best of the bad songs of the album or the worse of the good songs of the album, depending on how you wanna put it.
The closing song and the hit single of the album, "Lost in Space" is a great, great song, but suffers already a bit from being over-played in my household during the last two months.
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