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PostPosted: Fri Aug 19, 2011 8:40 am 
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Einherjar
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Wow, just wow...


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PostPosted: Fri Aug 19, 2011 9:04 am 
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Einherjar
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Define Infinity wrote:
This is insanity... enough said. I really don't feel like arguing with someone when I know they're out of their minds! With mentions like Ihsahn, Amorphis, Katatonia, Opeth and Paradise Lost.


Amorphis and Katatonia had gone soft over the years, we have to admit it. And Iced Earth sucks since Days of Purgatory. I kinda agree with him on some bands, but not all.


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PostPosted: Fri Aug 19, 2011 9:45 am 
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Einherjar
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AlexandeR wrote:
Define Infinity wrote:
This is insanity... enough said. I really don't feel like arguing with someone when I know they're out of their minds! With mentions like Ihsahn, Amorphis, Katatonia, Opeth and Paradise Lost.


Amorphis and Katatonia had gone soft over the years, we have to admit it. And Iced Earth sucks since Days of Purgatory. I kinda agree with him on some bands, but not all.


Going soft =/= selling out. It can be but it doesn't necessarily have to. I've always been amazed about people who claim to know the band's intentions.


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PostPosted: Fri Aug 19, 2011 11:01 am 
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For example, when Paradise Lost released Host (their softer and more pop-oriented album) people cried that they sold out... Well, the album wasn't successful at all. On the contrary, when they came back to their previous sound, they regained sales. I don't think they sold out with Host, I think they did with Believe in Nothing by giving their fans and label exactly what was expected of them.


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PostPosted: Fri Aug 19, 2011 4:06 pm 
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Einherjar
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Milan wrote:
AlexandeR wrote:
Define Infinity wrote:
This is insanity... enough said. I really don't feel like arguing with someone when I know they're out of their minds! With mentions like Ihsahn, Amorphis, Katatonia, Opeth and Paradise Lost.


Amorphis and Katatonia had gone soft over the years, we have to admit it. And Iced Earth sucks since Days of Purgatory. I kinda agree with him on some bands, but not all.


Going soft =/= selling out.


Not necessarily , but sometimes it is, trying to reach a major audience. Not always work, though, like Stefan said in the case of Paradise Lost.


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PostPosted: Fri Aug 19, 2011 6:12 pm 
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I don't think they were trying to reach a major audience or something, just trying to do something different.


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PostPosted: Fri Aug 19, 2011 6:30 pm 
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Einherjar
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I noticed a pattern in many a band. As they get older, the music becomes less aggressive. Some people call it maturity. This happens quite often in Thrash bands, i.e. Death Angel, Forbidden, Flotsam and Jetsam, Metallica, Megadeth, Slayer... Fates Warning comes to mind too, after Jon Arch departure.


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PostPosted: Fri Aug 19, 2011 6:51 pm 
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On the other hand, John Zorn (58 years old) is as furious as can be. I guess jazz and avant-garde are better ways to keep your mind working and the blood flowing. :cool:


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PostPosted: Fri Aug 19, 2011 6:54 pm 
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Ist Krieg
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Dir en grey are a direct violation to that rule. They have been getting heavier with time. Their new album especially. It's bizarre to listen to their debut and then their new one and think that it's the same band.


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PostPosted: Fri Aug 19, 2011 7:03 pm 
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And that bunch of old fellas called Motörhead is heavy as fuck and shows no sign of quieting down. :dio:


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PostPosted: Fri Aug 19, 2011 7:10 pm 
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Was just going to say, Motorhead!

but the damn french beat me to it


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PostPosted: Fri Aug 19, 2011 7:11 pm 
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Tankard.


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PostPosted: Fri Aug 19, 2011 7:11 pm 
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DevotedWalnut wrote:
But the damn french beat me to it

Image


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PostPosted: Fri Aug 19, 2011 7:12 pm 
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Einherjar
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John Zorn and Lemmy are gods :dio: I mean, people says he has fucked over a 1000 cunts, it's difficult to write gay music if you get so much pussy in your life :D

Need to hear the new Dir en Grey, I kinda liked the last album.


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PostPosted: Fri Aug 19, 2011 7:13 pm 
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Einherjar
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DevotedWalnut wrote:
Tankard.


Drinking a lot of beer is another way to keep the manliness :dio:


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PostPosted: Fri Aug 19, 2011 7:15 pm 
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Word came out Tankard were not heavy drinkers at all. The beer thing is more of a gimmick. Kinda like when Axl Rose showed up on stage with a bottle of Jack that was actually ice tea. :lol:


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PostPosted: Fri Aug 19, 2011 7:15 pm 
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one look at Gerre proves that wrong.


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PostPosted: Fri Aug 19, 2011 7:16 pm 
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The Annoying Frenchman wrote:
Kinda like when Axl Rose showed up on stage with a bottle of Jack that was actually ice tea. :lol:


4 real ?? :lol: When did that happen?


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PostPosted: Mon Aug 22, 2011 1:57 am 
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Einherjar

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The Annoying Frenchman wrote:
For example, when Paradise Lost released Host (their softer and more pop-oriented album) people cried that they sold out... Well, the album wasn't successful at all. On the contrary, when they came back to their previous sound, they regained sales. I don't think they sold out with Host, I think they did with Believe in Nothing by giving their fans and label exactly what was expected of them.


Just because you sold out (or rebranded) doesn't mean you were successful commercially.

Very often bands sell out because record labels demand it but the sell out is a failure. This happened to bands like Prong and Anthrax where record companies influenced the sound and style of the band but it actually resulted in less commercial success.


Concept of selling out is to branch out in terms of market scope. In Flames for example got a lot more fans by embracing Nu-Metal and Metalcore elements (remember they were touring with Slipknot and Korn when they started to change).

This got them Nu-Metal/Metalcore kids while they managed to keep some of their older fan base.

The goals of selling out successfully is:

1. Expand market scope and therefore profit and fame.
2. Not lose original fan base or replace the old fan base with an increased new fan base thus resulting in bigger fanbase, more success and ergo more profit.

Bands of course don't think in such pure marketing terms but it's clearly what they're doing.

And it can result in failure when the band loses old fan base but the new fan base (aka target market) doesn't embrace the new band.

A good example is Machine Head.

With Nu-Metal peaking, they embraced it and adopted all the trimmings of it (rap etc).

Obviously this alienated a lot of the old fan base. But it was never picked up on by the new fan base. Hence Machine Head flopped and then had to reinvent themselves as going back to metal with "Through The Ashes of Empire."

Some bands just lack the appeal or the ability to successfully change their fan bases without too much damage to their image (aka brand). Or their old fanbase has very specific expectations to accept a change in sound (aka rebranding).

Look at what happened to Cryptopsy when they turned Death/Metalcore. Their old fan base had specific expectations so most abandoned the brand with the release of that abomination, The Unspoken King. It didn't really appeal all that much to the Metalcore crowd either.

On the other hand Mastodon and Opeth's fanbase for the most part were more open to rebranding so accepted these bands going softer.


People forget that music is an industry and that bands need to be successful so they can afford to eat. And like any industry, the more successful you are, the greater the expectation of success from the record companies, the fans and the band members themselves.


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PostPosted: Mon Aug 22, 2011 2:01 am 
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Einherjar

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The Annoying Frenchman wrote:
And that bunch of old fellas called Motörhead is heavy as fuck and shows no sign of quieting down. :dio:


Or AC/DC or Cannibal Corpse or Deicide or Vital Remains or even UDO!

And Atheist reformed and got heavier!


Just cause you're getting old doesn't mean you can't love listening to or playing heavy music.


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